https://daap.bannerrepeater.org/w/index.php?action=history&feed=atom&title=Description%3AQ1725 2026-04-26T20:15:32Z Revision history for this page on the wiki MediaWiki 1.38.5 https://daap.bannerrepeater.org/w/index.php?title=Description:Q1725&diff=8213&oldid=prev 2020-09-25T21:52:45Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 21:52, 25 September 2020</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The Subject Index: An incomplete history of Peckham 1900 – 2014 is a collaboration between artist Anna Best</del>, <del style="font-weight: bold; text-decoration: none;">Peckham Platform </del>and the <del style="font-weight: bold; text-decoration: none;">Local History Library </del>and <del style="font-weight: bold; text-decoration: none;">Archive</del>, <del style="font-weight: bold; text-decoration: none;">Southwark (SLHA) – a public resource on Borough High Street</del>. <del style="font-weight: bold; text-decoration: none;">Spending many hours </del>in the <del style="font-weight: bold; text-decoration: none;">archive</del>, <del style="font-weight: bold; text-decoration: none;">Best has extracted material about Peckham and it’s environs </del>(<del style="font-weight: bold; text-decoration: none;">including pamphlets and ephemera</del>, <del style="font-weight: bold; text-decoration: none;">press cuttings</del>, <del style="font-weight: bold; text-decoration: none;">books</del>, <del style="font-weight: bold; text-decoration: none;">films</del>, <del style="font-weight: bold; text-decoration: none;">index cards</del>, <del style="font-weight: bold; text-decoration: none;">maps </del>and <del style="font-weight: bold; text-decoration: none;">photographs</del>) and <del style="font-weight: bold; text-decoration: none;">will bring her collection </del>to the <del style="font-weight: bold; text-decoration: none;">gallery on Peckham Square where </del>the <del style="font-weight: bold; text-decoration: none;">archive will be recreated</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">In his contribution</ins>, <ins style="font-weight: bold; text-decoration: none;">philosopher Éric Alliez visually translates his planned book on diagrammatic thought </ins>and <ins style="font-weight: bold; text-decoration: none;">its implications for the field of contemporary art to the design of </ins>the <ins style="font-weight: bold; text-decoration: none;">notebook </ins>and <ins style="font-weight: bold; text-decoration: none;">its text. It is his response to the format of this German-English publication series</ins>, <ins style="font-weight: bold; text-decoration: none;">for which usually texts of 3000 words were commissioned</ins>. <ins style="font-weight: bold; text-decoration: none;">His contribution consists of three parts: </ins>in the <ins style="font-weight: bold; text-decoration: none;">first two originally French parts</ins>, <ins style="font-weight: bold; text-decoration: none;">only some of the words are legible in their English translation </ins>(<ins style="font-weight: bold; text-decoration: none;">or in original German)</ins>, <ins style="font-weight: bold; text-decoration: none;">while the rest of the original can be deciphered from underneath the grey bars that cover it</ins>, <ins style="font-weight: bold; text-decoration: none;">so that the entire context can be decoded by the reader only through a continuous back and forth between languages and visibility and invisibility. Part III</ins>, <ins style="font-weight: bold; text-decoration: none;">on the other hand</ins>, <ins style="font-weight: bold; text-decoration: none;">is translated into English and German and printed without any “blackouts.” For the writer</ins>, <ins style="font-weight: bold; text-decoration: none;">this intervention embodies the diagrammatic intervention between the (un)speakable </ins>and <ins style="font-weight: bold; text-decoration: none;">the (in</ins>)<ins style="font-weight: bold; text-decoration: none;">visible, </ins>and <ins style="font-weight: bold; text-decoration: none;">reflects what he summarizes at the second of the second part: “This signal-aesthetic (signestésique) policy of art can, in a contemporary sense—which is a strict alternative </ins>to <ins style="font-weight: bold; text-decoration: none;">its ‘conceptual’ version—be described as art after philosophy. In an ‘after’ (après) that is not an ‘according to’ (d’après) or an analytical finish (apprêt) (à la Kosuth)—to </ins>the <ins style="font-weight: bold; text-decoration: none;">extent that it is ontologically ‘ahead’ (en avant), along with postconceptual criticism and </ins>the <ins style="font-weight: bold; text-decoration: none;">clinic of philosophy that it transports.” Text source: http://www.hatjecantz.de/ric-alliez-5258-1.html</ins>.</div></td></tr> </table>

Arielfinch https://daap.bannerrepeater.org/w/index.php?title=Description:Q1725&diff=8212&oldid=prev 2020-09-25T21:51:42Z

<p>Created page with &quot;The Subject Index: An incomplete history of Peckham 1900 – 2014 is a collaboration between artist Anna Best, Peckham Platform and the Local History Library and Archive, Sout...&quot;</p> <p><b>New page</b></p><div>The Subject Index: An incomplete history of Peckham 1900 – 2014 is a collaboration between artist Anna Best, Peckham Platform and the Local History Library and Archive, Southwark (SLHA) – a public resource on Borough High Street. Spending many hours in the archive, Best has extracted material about Peckham and it’s environs (including pamphlets and ephemera, press cuttings, books, films, index cards, maps and photographs) and will bring her collection to the gallery on Peckham Square where the archive will be recreated.</div>

Arielfinch