Loz.ross at 11:45, 10 December 2020

2020-12-10T11:45:55Z

← Older revision		Revision as of 11:45, 10 December 2020
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	~~"""~~A special issue celebrating the 10th anniversary of Inventory. Included are found texts on diverse subjects such as relational aesthetics, Ernst Junger, Western Europe as viewed by the East, and urban Rorschach tests.		A special issue celebrating the 10th anniversary of Inventory. Included are found texts on diverse subjects such as relational aesthetics, Ernst Junger, Western Europe as viewed by the East, and urban Rorschach tests.
	Inventory, whose work has continually exposed the inadequacies of post-critical attempts at sloppy summation and weak dismissal, has consequently been pathetically sketched as ‘provocative’, ‘post-situationist’ and ‘didactic’. Such bleating is one reason, among many, that necessitates the persistency of a publication that makes no claims to be anything other than what is printed on its pages. It is a publication that makes severe demands on itself and expects nothing less from its readers and its critics. Text source: http://www.cornerhouse.org/bookstore/product/inventory-2. Contributors: Inventory, We Refuse to Confirm Your Beliefs. Amanda Beech, On Violent Ground. Max Reeves, Rorschach Test. Rebecca Bligh, Take the shot. Inventory, Flesh and Stone. Inventory, Here be Dragons. Michael Richardson, The Look of Colette Peignot. Inventory, Dread. Joseph the Prophet, Joseph's Christian Circus. Nicoleta Esinencu, Fuck You, Eu.ro. Pa!. Institute of Open Studies, In a street. Anonymous, Inventory Survey Project No.1. Victoria Halford, Selfeedee. Inventory, Glossary. Steve Beard, Jack the Mack Prophecies. Inventory, An Impossible Project. Paul Archer, Archer's Best 100 Band Names. Neil Chapman, Doubling Back. Inventory, On Art, Politics and Relational Aesthetics.~~"""~~
			Inventory, whose work has continually exposed the inadequacies of post-critical attempts at sloppy summation and weak dismissal, has consequently been pathetically sketched as ‘provocative’, ‘post-situationist’ and ‘didactic’. Such bleating is one reason, among many, that necessitates the persistency of a publication that makes no claims to be anything other than what is printed on its pages. It is a publication that makes severe demands on itself and expects nothing less from its readers and its critics. Text source: http://www.cornerhouse.org/bookstore/product/inventory-2. Contributors: Inventory, We Refuse to Confirm Your Beliefs. Amanda Beech, On Violent Ground. Max Reeves, Rorschach Test. Rebecca Bligh, Take the shot. Inventory, Flesh and Stone. Inventory, Here be Dragons. Michael Richardson, The Look of Colette Peignot. Inventory, Dread. Joseph the Prophet, Joseph's Christian Circus. Nicoleta Esinencu, Fuck You, Eu.ro. Pa!. Institute of Open Studies, In a street. Anonymous, Inventory Survey Project No.1. Victoria Halford, Selfeedee. Inventory, Glossary. Steve Beard, Jack the Mack Prophecies. Inventory, An Impossible Project. Paul Archer, Archer's Best 100 Band Names. Neil Chapman, Doubling Back. Inventory, On Art, Politics and Relational Aesthetics.

Arielfinch: Created page with """"A special issue celebrating the 10th anniversary of Inventory. Included are found texts on diverse subjects such as relational aesthetics, Ernst Junger, Western Europe as v..."

2020-09-25T22:11:19Z

Created page with """"A special issue celebrating the 10th anniversary of Inventory. Included are found texts on diverse subjects such as relational aesthetics, Ernst Junger, Western Europe as v..."

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"""A special issue celebrating the 10th anniversary of Inventory. Included are found texts on diverse subjects such as relational aesthetics, Ernst Junger, Western Europe as viewed by the East, and urban Rorschach tests.
Inventory, whose work has continually exposed the inadequacies of post-critical attempts at sloppy summation and weak dismissal, has consequently been pathetically sketched as ‘provocative’, ‘post-situationist’ and ‘didactic’. Such bleating is one reason, among many, that necessitates the persistency of a publication that makes no claims to be anything other than what is printed on its pages. It is a publication that makes severe demands on itself and expects nothing less from its readers and its critics. Text source: http://www.cornerhouse.org/bookstore/product/inventory-2. Contributors: Inventory, We Refuse to Confirm Your Beliefs. Amanda Beech, On Violent Ground. Max Reeves, Rorschach Test. Rebecca Bligh, Take the shot. Inventory, Flesh and Stone. Inventory, Here be Dragons. Michael Richardson, The Look of Colette Peignot. Inventory, Dread. Joseph the Prophet, Joseph's Christian Circus. Nicoleta Esinencu, Fuck You, Eu.ro. Pa!. Institute of Open Studies, In a street. Anonymous, Inventory Survey Project No.1. Victoria Halford, Selfeedee. Inventory, Glossary. Steve Beard, Jack the Mack Prophecies. Inventory, An Impossible Project. Paul Archer, Archer's Best 100 Band Names. Neil Chapman, Doubling Back. Inventory, On Art, Politics and Relational Aesthetics."""

Description:Q1782 - Revision history

Loz.ross at 11:45, 10 December 2020

Arielfinch: Created page with """"A special issue celebrating the 10th anniversary of Inventory. Included are found texts on diverse subjects such as relational aesthetics, Ernst Junger, Western Europe as v..."