Description:Q6528: Difference between revisions
Jump to navigation
Jump to search
(Created page with "Stranger is a drawing punctuation study that maps each period in her English translation of Albert Camus’ The Stranger. For the opening of Workshop, Cox has revisited the project through a new series of photographic prints. These enlargements, displayed alongside the original drawings, become new translations of each chapter-heading page in the original Camus text. Further removed from the original book, each print becomes a seemingly random combination of points and n...") |
mNo edit summary |
||
| Line 1: | Line 1: | ||
Stranger is a drawing punctuation study that maps each period in her English translation of Albert Camus’ The Stranger. For the opening of Workshop, Cox has revisited the project through a new series of photographic prints. These enlargements, displayed alongside the original drawings, become new translations of each chapter-heading page in the original Camus text. Further removed from the original book, each print becomes a seemingly random combination of points and numbers, playing off the existential themes of the book. | Stranger is a drawing punctuation study that maps each period in her English translation of Albert Camus’ The Stranger. For the opening of Workshop, Joy Drury Cox has revisited the project through a new series of photographic prints. These enlargements, displayed alongside the original drawings, become new translations of each chapter-heading page in the original Camus text. Further removed from the original book, each print becomes a seemingly random combination of points and numbers, playing off the existential themes of the book. | ||
— Text Excerpt, Exhibition (Workshop @ Christian Berst Art Brut). | — Text Excerpt, Exhibition (Workshop @ Christian Berst Art Brut). | ||
Latest revision as of 07:19, 31 July 2025
Stranger is a drawing punctuation study that maps each period in her English translation of Albert Camus’ The Stranger. For the opening of Workshop, Joy Drury Cox has revisited the project through a new series of photographic prints. These enlargements, displayed alongside the original drawings, become new translations of each chapter-heading page in the original Camus text. Further removed from the original book, each print becomes a seemingly random combination of points and numbers, playing off the existential themes of the book.
— Text Excerpt, Exhibition (Workshop @ Christian Berst Art Brut).